Design Workshop Sampler
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Name of Stitcher:
Dale Laura Edwards
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This is a strip of samples encompassing an Italian corded quilting flower, a bunch of flowers in Brazilian embroidery, a flower and leaf in buttonholed cutwork. a flower and leaf in pulled work and a spray of flowers and leaves in crewel work.
The corded quilting consists of double rows of running stitch, through the back of which is threaded a heavy cord or bunch of fine threads, creating a raised design on the front of the work. There is no colour excepting that of the fabric, which is off-white.
Next, to the right, the Brazilian flowers are created with bullion knots of different styles of Bullion rose and bud, looped bullion, buttonholes, satin, outline, French knot, feather stitch in a heart of coral knots. Colours are orange, yellow, green. brown.
Again, to the right, two flowers, one buttonholed cutwork in white threads and one pulled in white. The last design is in greens, orange and brown, satin, chain and outline included in crewel style.
Description of condition:
It is in an unfinished condition with raw edges but no stains. One Thread is hanging, unstitched.
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Embroidery thread type:
cotton, wool, other
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Type of stitches: other – basting, double running, coral knot, bullion knot, outline, buttonhole, feather, pulled stitches
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Owner / Donor Story:
In 1970-71, I was one of a class of students who took courses in Crewel embroidery (Art Needlework) with a teacher, Fran Oakley, at Cedarbrook Community Centre in Scarborough, Ontario, loved it and kept working at it even after the classes were finished.
In the summer of 1975, I was contacted by Fran to see if I were interested in jhelping to form a chapter of Embroiderers’ Association of Canada (E.A.C.). Of course, I was and we began meetimg for informal lessons and planning sessions. By the end of the year, we had the requisite 20 members to receive certification and began as a Guild on the first Monday of February, 1976. That day has been maintained as oir official Anniversary.
As a whole groiup, we had little formal teaching, but each had knowledge in some field of the needlearts – canvaswork, quilting and other types. I had a number of years of sewing experience, both machine and hand, along with the crewel I had been working on in the intervening time We began sharing our knowledge with each other by way of small workshops and classes. In a few years I had taugjt a number of workshops and had been experimenting with creating my own designs, mostly after Fran’s style but also bringing in my own ideas. Wanting to encourage others to do so as well, I set up this small set of classes to teach a few different techniques. It went quite well and started some of the group doing the same. This sampler is a product of that workshop, although unfinished.
No. of photographs: Number of photographs: 3
Description of photographs:
Reference numbers: (Museum, archive or other references associated with sampler)