Embroidering Faces?
Are you interested in embroidering faces and people? If so, take a look at our video, where LLNA Librarian Natalie is flipping through the book “Embroidered Portraits: Ideas, Inspiration, and Techniques” by Jan Messent. Join Natalie as she tells you about some of the topics in the table of contents and flips through to show the level of detail in this informative and inspirational book. Learn more about our library, who can borrow books and how!
Rosemary Marchant: Narrative Embroidery
Rosemary explained that narrative embroideries are also made by ordinary people who want to record something important to them through stitching, sometimes with text to help tell their story.
News: Projects and Courses
Speaker Series presentations and some EAC/ACB projects and courses are available to non-members. The Board of Directors approved this change to allow people interested in our association and what we offer a chance to “try before you buy.” Prices for non-members will be higher than those for members. The best way to view the EAC/ACB website is to log in before you navigate through the rest of the website. That way you’ll see and pay members’ discounted pricing and all content will be available for you to read, see or download. Go to log in (it will open in a new tab) and bookmark the page now! To purchase projects and courses at members’ discounted rates log in to your My EAC/Mon ACB account and navigate to the course or project you want to take. Those can be accessed from the EAC/ACB Shop. You will need to enter your membership number and expiry date during the checkout process. This information can be found in the latest issue of eThreads or from your membership chair. In the case of individual members, please reach out via the contact page. Note that all the longer courses in the technique study program will still be available exclusively for members. Watch for new choices being developed and sourced by the Education team!
What a Revelation! Salley Mavor and her Felt Art
As part of EAC/ACB’s Speaker Series, Salley Mavor spoke about her journey as an artist who tells stories with three-dimensional embroidery. The October 14 presentation covered a wide range of creative endeavours, from illustration to doll-making to stop-motion animation, demonstrating that there are no limits to what can be expressed with a needle and thread! It was an opportunity to take a behind-the-scenes peek at Salley’s innovative, creative process, which is unmatched within the fibre art world. Salley sees herself as a needle artist. A needle is her tool, thread is her medium, and stitches are her marks. Salley has been sharing her art and processes on her blog/home page for many years. You can view a recorded presentation, An Afternoon with Salley Mavor. You can find links to all her videos on her website. The videos include a short documentary of Salley creating the illustrations for her most recent children’s book, Making My Bed, the stop-animation video, Liberty and Justice – A Cautionary Tale in the Land of the Free, some of her installations, and so much more. That’s where you’ll also find her “Stitch Minute Videos” – short closeup views of her stitching various elements for her art. Learn more about her books, exhibitions, processes and more on her website Wee Folk Felt. The Speaker Series is just one of the free opportunities for current EAC/ACB members. Find out how you can become a member.
A Winning Birthday Card
Sue Davies’ entry into the 2019 Board Challenge was awarded second place. Her original design showcases some great filling stitches and great use of variegated fibres. The felt stars and beads add a fun touch to this card. Download your ready-to-print PDF birthday card.
More 15-Sided Biscornus
different background fabric and thread colours, and each person’s placement of the flowers make each biscornu unique …
Members Share 15-Sided Biscornu Finishes
See the beautiful colour choices and a unique finishing option on this project!
Mary Will Follow Along with Photos
submitted by Mary Wahl I have lived in Canmore, Alberta (about an hour west of Calgary in the Rocky Mountains) for almost five years. Before that, I lived in Toronto and was a devoted member of the Toronto Guild of Stitchery for many years. I remain a member of EAC/ACB. I was one of the lucky ones to receive an issue of Giuliana Ricama magazine. I have been thoroughly enjoying the pictures of beautiful embroideries with photographic instructions in the issue. I have had some difficulty understanding the written instructions. This includes materials lists where I could not translate fabrics and thread requirements to the supplies readily available here. However, I can do a lot with pictures. I love the little Italian dolls. I am a cloth doll maker and may allow them to inspire me in the not too distant future. It was easy for me to relate to the article by Kiyoko Miyagoshi, which featured the chrysanthemum pattern for temari balls. That was the first pattern that I learned how to do with EAC/ACB member Peggy Kimble years ago. Since then, I have made many different patterns, most quite complicated. I have included some in my photograph. I purchased a Japanese book of temari patterns in Matsumoto, Japan, where temari balls are sold in the castle and are featured in the sidewalk grates! I cannot read the book but all I have to do is look at the pictures. I prefer using Styrofoam balls in order to have fairly perfect spheres. The size of the balls does not matter – everything is proportional. I fit them with quilt batting or something soft before winding on the background colour thread. The Japanese like to use all sorts of bits, fabric and otherwise, to form their balls.
Michele Would Choose Casalguidi
My name is Michele Young and I live in southern Ontario. I was delighted to be a winner of a copy of this high-quality needlework magazine, Giuliana Ricama. The contributors’ works are displayed in such a way that I immediately want to find a needle and thread and begin working on all of the projects. The pictures are gorgeous and the instructions and traceable designs make this magazine a fantastic resource and a treasure. It was hard to choose a favourite project, but I decided upon the Casalguidi centrepiece with tassels because it contained many traditional, but new to me, stitches I will enjoy learning. The project I am working on in the photo is an Alison Cole goldwork and stumpwork design, both new techniques for me, until I took her class at the EAC/ACB seminar in 2018. I will enjoy sharing this magazine with the members of my guild but will take careful note of who borrows it because I will definitely want it back. Thank you for the prize and for the opportunity to review Giuliana Ricama.
Lexa’s Thoughts on Giuliana Ricama Magazine
submitted by Lexa Shaw, Embroiderers’ Guild of Victoria I was quite surprised to win a copy of Giuliana Ricama magazine. Another member of my guild was also a winner. She is now looking into the possibility of ordering the magazine as a group rate. I took the issue to my stitch group to show them. I am sitting at the end of the table and the others are some of the group which meets on a weekly basis. This is an interesting magazine. It is organized quite differently from the North American/British ones I am used to. There are multiple examples of how each of the “projects” could be done. The explanations then give a very basic description of the pattern needed. There are also a couple of techniques that are described in detail. The articles are very interesting and informative. There appears to be many more “schools” teaching traditional embroidery than here. Overall, this is a lovely magazine that is aimed at the confident stitcher. The diagrams are clear and easy to follow. My favourite item to stitch would be the Colours of Versilia used in the African women project. This magazine will now be circulated in the guild for other stitchers to peruse.
Adele Tells Us about Giuliana Ricama
submitted by Adele Mandryk My name is Adele Mandryk and I live in western Canada in the city of Edmonton, Alberta. What a delightful surprise to learn that I had won a copy of Giuliana Ricama. So far, I have read the magazine twice and was thoroughly entertained both times. I particularly enjoyed reading the article on Casalguidi embroidery as I have often wondered what exactly it is that makes this form of whitework, ‘Casalguidi.’ Aside from explaining the history and characteristics of this very old technique, the article illustrated the particular stitches used and then a companion piece showed how various Italian embroidery clubs are modernizing this traditional technique. A bracelet, a purse and a pair of shoes featuring black Casalguidi embellishments on ecru ground fabric were stunning. I was also quite taken by a pair of curtains stitched using coloured threads and the Caterina de’ Medici embroidery technique, a form of counted work on very fine linen fabric that I had not heard of before. This magazine is translated from Italian to English and poses a bit of a challenge in understanding some embroidery terminology used in project instructions. For instance, in one article, ‘cord’ was used for the more commonly used word ‘thread’ which was a bit confusing until I realized my mental picture was ‘off.’ However, there was a certain amount of satisfaction in ‘googling’ unfamiliar stitch names and finding, in one case, that it was merely the buttonhole stitch ‘dressed up’ as the festoon stitch. I very much enjoyed the gentle mental exercise required and the excellent close-up photography helped. This magazine is more than just a project magazine. It offers historical context and insight into modern-day Italian embroiderers. In the photo, I am holding my first attempt at counted needlepoint embellished with silk ribbon embroidery. The project, called ‘Fuchsias and Champagne,’ was designed and taught by Merrilyn Heazlewood through the Embroiderers’ Association of Canada/Association Canadienne de Broderie. I plan to finish it as a bell pull and gift it to my Mother on her birthday. Thank you to EAC/ACB and the publishers of Giuliana Ricama for the opportunity to add a beautiful embroidery magazine to my library that I know I will come back to many times.
Issue 33 of Giuliana Ricama
submitted by Joyce Gill I was really pleased when I heard that Giuliana Ricama was going to be produced in English. I have several past issues in Italian that I love to browse. The projects are inspirational, and I feel that I could accomplish some of them using the diagrams, even though I do not know the language. Issue 33 in English does not disappoint. The millefiori flowers are exquisite. The Springtime Easter Eggs are really lovely. The Reticella project opens up new worlds to me. So far, I’ve only browsed and dreamed, but I know that one of these three will be on my to-do list very soon. Italy is halfway around the world from my home in Atlantic Canada, but the magazine is a doorway to the artistry of a new fellowship of needleworkers.