Month: November 2023

2023 Leonida Leatherdale Award

The first-place winner of the 2023 Leonida Leatherdale Award was Diane Scott. Her entry is titled What I Learned at Seminar. Diane designed these stunning orchids and used various stumpwork techniques to bring them to life. Second place went to Kim Beamish for her original design, Masquerade II. Kim’s three-dimensional mask showcases a variety of embroidery techniques. The base is pulled thread and whitework. The stumpwork is needle lace and pulled thread. Beading is worked on the base and around the piece for embellishment. Designed and stitched by Marcella Pedersen, Marco Polo Blessings took third place. Marcella’s piece features blackwork stitches with gray floss to create shading on the linen sails; polyester sewing thread for the stumpwork components; wooden hull, snakeskin net, cotton batting clouds, stretched jersey fabric to create the wavy sea, and polycotton fabric for the sky.

WEG Celebrates 50 Glorious Years!

submitted by Patty Hawkins, WEG Saturday, October 14, 2023, dawned grey and gloomy in our Canadian Prairie city, but no matter. The Winnipeg Embroiderers’ Guild (WEG) members were all smiling and laughing as 43 gathered at the beautiful Assiniboine Park Pavilion to celebrate our 50th Anniversary. WEG was “born” on September 27, 1973, in response to a call by Winnipeg’s then mayor, Stephen Juba, urging citizens to “start something” for Winnipeg’s Centennial Year; it did not matter what you started, just start it! That motivated Leonida Leatherdale, a prominent Winnipeg embroiderer and stitching studio owner, to found a local embroidery organization – the Winnipeg Embroiderers’ Guild.  At the same time, Mrs. Leatherdale laid the foundation for a national embroidery society – the Embroiderers’ Association of Canada (now known as Embroiderers’ Association of Canada/Association canadienne de broderie to include our country’s French heritage).  WEG and EAC/ACB thus share common beginnings and grew into separate but affiliated organizations.  Both groups enjoyed 50th-anniversary celebrations this year; EAC/ACB’s annual seminar was held here in Winnipeg for this special occasion.  And until their recent passing, two founding members of WEG – Jo Hewitt-Nickel and Shirley Tyderkie – still attended meetings regularly and generously shared their love of needlework and expertise in stitching with those who joined our Guild over the ensuing years. The Assiniboine Park Pavilion is located in the heart of Winnipeg’s expansive Assiniboine Park, which also houses a zoo (with a world-renowned polar bear rehabilitation centre!), the Leo Mol Sculpture Garden, and The Leaf, a spectacular conservatory turning our snowy winters into glorious summer all year long.  When planning our event, the organizers – Gail Wence (Chair), Patty Hawkins, Marjorie Morris and Linda White – wanted our anniversary to be a memorable gala affair. This venue fits the bill! Upon entering the foyer shortly after 11 a.m., members were welcomed by Kylea Fulton, who invited them to sign the event register. We provided a table groaning with complimentary patterns gathered over the years; members could sift through and choose designs to plump up their stash. The ladies had been asked to bring a favourite piece of embroidery for display, and we outdid ourselves! Exhibit tables featured a wide range of beautiful needlework:  stumpwork, thread painting, canvaswork, bead embroidery, goldwork, bargello, beaded ornaments, Hardanger, cross stitch, Casalguidi, punto antico, and more. Everyone enjoyed a beverage while visiting and admiring the displays. We then entered the gorgeous glassed-in pavilion where nine round tables awaited.  Set with beautiful linens and china and sporting lovely centre pieces created by Marjorie Morris, each chair held a brightly coloured gift bag filled with goodies.  In early spring, our committee began to solicit donations from many needlework suppliers and designers across Canada and the U.S.  Of significant note were robust gifts from Coats & Clark/Yarnspirations, Colonial Needle, Colour Complements, DMC, The Gentle Art, Kreinik, as well as many, many smaller individual gifts. We also received generous donations from WEG’s accomplished designers, Kathryn Drummond (Gingerbread Girl Designs) and Carolyn Mitchell (Carolyn Mitchell Designs). A plated lunch followed featuring Caesar salad and a delicious grilled chicken breast ciabatta bun with peach chutney, brie, arugula and garlic aioli. Dessert was fun!  We enjoyed a sundae station groaning with chocolate and vanilla bean ice cream, chocolate fudge and caramel sauces, a decadent assortment of toppings, and a tray of dainties – which disappeared in short order! While enjoying our dessert and coffee/tea, our co-president and committee chair, Gail Wence, gave a brief history of our guild.  She then acknowledged 11 members for milestone recognition of 10, 15, 20, 25, 30, 40, and even two ladies with 45 years of continuous membership in the Guild: Sharon Etsell and Susanne Sulkers. Each honouree received a gift card in proportion to their years of service. The dedication these women have shown to our art and their constant support of the guild and its activities is genuinely admirable. Then, 12 Past Presidents were recognized, with three having served “double duty.”  The delicious chocolate “Thank You” bars they received were hand-crafted by local chocolatier Constance Popp, and, speaking as one of those Past Presidents, I can relate that they were absolutely delicious! This brought us to our main event, Keynote Speaker Cynthia Boehm, an award-winning, Red River-based beadwork artist and designer. Growing up surrounded by creative people, Cynthia found a love and appreciation for the historic Cree Métis beadwork and art of her home community of Norway House (in Northern Manitoba, Canada). Later on, when she discovered her grandmother’s art (housed in the Manitoba Museum in Winnipeg), Cynthia was inspired to delve extensively into the historical beadwork and embroidery patterns of her Cree Métis ancestors. These beautiful designs – produced during the mid to late 19th Century fur trade – became world famous.  Rendered in silk embroidery and colourful beadwork, the graphic flowers and serpentine leaves that characterize these exquisite pieces inspired Cynthia’s creative journey. Cynthia spent the next hour recounting her interesting background and artistic inspiration for us.  She talked about some of the examples of her beautiful work, which she brought with her, including the magnificent stand-alone floral beaded piece, “My Journey Home – Honouring Our Grandmothers,” which echoed the title of her presentation. Also on display and discussed by Cynthia was a selection of the materials she uses for her art.  She concluded her talk by graciously answering many questions from curious guild members. Following an appreciative thank you to Cynthia – who received an enthusiastic round of applause – Patty Hawkins took a few moments to list and thank the many donors who helped to make this luncheon special.  We are so grateful to each contributor and encourage our members to support them all! As Gail said her goodbyes to our members, Patty and Marjorie handed each person another bag filled with gifts. These project bags in vibrant pink (WEG’s colour) with white, yellow and blue highlights were specially commissioned for us and donated by Marjorie, our Event Sponsor and current Vice-President. Tucked inside each was a beautiful – and useful! – wooden pin cushion tray from Sudberry

Seminar Theme Award Winners

EAC/ACB’s 2023 seminar theme was The Stitch Goes On/Le point continue. That theme was interpreted quite differently by the three winning entrants. First Place: Diana Kelly, Lakeshore Creative Stitchery Guild, The Stitch Goes On & On & On Diana Kelly’s entry is an original design. As part of the Seminar Theme Award, the entrant provides a statement about their piece. From Diana’s statement: Second Place: Marcella Pedersen, Regina Stitchery Guild, The Stitch Goes On & On & On Marcella’s Hardanger runner was stitched with #8 pearl cotton on Lugana white opalescent 28-count linen. The design was adapted from a chart by Evelyn MacKay. No statement was submitted. Third Place: Lorraine Iverach, Winnipeg Embroiderers’ Guild, Edith Adele Campbell Starts Her Day From her entry statement: