Instagram Identifier Inspiration
We all need them, we all make them! Let’s see yours! Share your name tag on Instagram. St. John’s Guild of Embroiderers is running an EAC/ACB members’ only contest on Instagram. No worries if you don’t have Instagram — you can just send images in an email to Susan Furneaux at susanfurneaux(insert the @ symbol in place of this statement)gmail.com. At the end of September, a small prize will be awarded to one entry drawn from all submissions received. Good luck! Susan is looking forward to hearing from you. If You Have an Instagram Account If you have Instagram, the Insta is @embroiderystjohns. You can load pictures on and tag @embroiderystjohns to enter. The hashtags for the nametags are #embroiderednametag and #handembroiderednametag. If You Don’t Have an Instagram Account Send an image of your nametag with your pins, bits, and bobs attached. Include who designed it, its technique and how old it is. You can also add any anecdotes you like! Have more than one nametag? Enter twice or three times if you are that organized. Other than your first name and the info above, you will only be mentioned if you want to be tagged. If so, send along your Instagram account.
Blue is for Recycling II
by Marcella Pedersen, Regina Stitchery Guild This printed cloth was a garage sale item I picked up that was partially completed. I think I picked this up because of my Belgian heritage, though this might be a Dutch couple. Once I started working on it, I could see why the item wasn’t finished. As you see in the picture of the partially finished piece, the print on the material has cross stitch guides that are not the same size; some lines are narrow, and some large. Not to be done in, I took up the challenge to finish the piece, but it is definitely the worst embroidery piece I have ever finished. I thought all cross stitches were equal. I am still not a fan of cross stitch embroidery.
Blue is for Recycling I
by José Hope, Embroiderers’ Guild of Victoria & Arrowsmith Needle Arts Guild Blue can conjure up thoughts of our beautiful west coast skies or ocean waters in summer but in my heart, I always think of Delftware. This may be my heritage or just childhood memories of my parents’ home. When I found an unfinished tablecloth in one of our local thrift stores, I knew right away what I wanted to do with it. It had been started with one motif partially stitched in six-strand floss, such a shame on this beautiful polished cotton fabric. I carefully unpicked the previous owner’s work and began surface stitching with three-strand variegated blue DMC floss. The joy and peacefulness of bringing an unwanted treasure to life warms my heart. This beautiful tablecloth will reside not in a drawer but on my table so it can be enjoyed by all who visit me. At present, I’m stitching another tablecloth rescued from the second-hand shop, titled Blue Onion (top right), which is larger and from the 1970s. It is stamped cross stitch in two shades of blue!
My Blue Table Runner
by Nancy Tozer, Lakeshore Creative Stitchery Guild/La Guilde des travaux à l’aiguille du Lakeshore, Virtual Threads, and Ottawa Valley Guild of Stitchery I joined the Lakeshore Creative Stitchery Guild/La Guilde des travaux à l’aiguille du Lakeshore when I was still working full time. Regular meetings and classes took place weekly on Thursdays; there were no evening stitching groups at the time. So, I decided to enroll in EAC/ACB’s Basic Counted Thread correspondence course. The final project in lesson six was to stitch a sampler on evenweave fabric. The sampler was to include a hemstitched border, mitred corners, and two of the four techniques covered in the course. I chose pattern darning and Hardanger. I used several Ukrainian embroidery books as sources of inspiration, instruction, and reference. I embroidered the table runner in blue thread on white fabric to complement my home décor. I chose DMC 334 because it was available in floss, pearl cotton #5, and pearl cotton #8. I used the floss for the pattern darning motifs and the pearl cotton for the Hardanger section and needle woven border. Inspiration for my design started with the pattern darning motif. I found the motif on the sleeve of a Ukrainian blouse and immediately knew that I wanted to stitch this. I embroidered the design using the Ukrainian technique perevolikania and six strands of DMC floss. The central design illustrates the Hardanger technique. It consists of a medallion surrounded by a band of Greek crosses (a woven filling stitch used in Hardanger embroidery) and satin stitch motifs. Hardanger satin stitching is similar to the Ukrainian lyshtva stitching technique. The Greek cross band was inspired by designs in Janice Love’s Hardanger: Fundamentals Made Fancy. I mitred the corners and hemmed the edges using antique hemstitch, called prutyk in Ukrainian embroidery. The needle weaving pattern was inspired by the border on a Schwalm pillow. It consists of half diamonds in white separated by a step pattern in blue. I stitched this using the Ukrainian technique of latana merezhka. My table runner turned out to be a very large, ambitious project, taking me four months to complete. Fortunately, my course counsellor, Colleen Darling, was very understanding as my last lesson was quite delayed in being sent to her for evaluation. As I was designing and stitching this piece, I found it very interesting to note the similarities between Ukrainian stitching techniques with those found in other countries. It seems that the art of embroidery knows no boundaries, with designs and techniques shared amongst needleworkers the world over. My blue table runner won the “Best of Class” award in the Hardanger, Lace, Pulled and Drawn Thread – Original Design category at Seminar 2000 in Moncton, New Brunswick.
Memories
by Odette Gaudet, Chickadee Chapter of Needle Arts “Memory” is defined as the power of remembering; the time during which past things can be remembered; that which is remembered (Highroads Dictionary, 1963). “Remember” is defined as to call to mind; to keep in mind; to use the power of memory; to recollect. Most often, we think memories are only of the past, something that happened long ago. Memories can have a place in the present and future. Chickadee Chapter of Needle Arts had two active members pass away. Susan Pickett at age 65 in November 2013, and Helen Crawford at age 88 in June 2015. As a small guild, this was extremely sad and hard as both women played a strong role in our group. Susan Pickett loved Hardanger. She stitched incredibly beautiful pieces. Her legacy project of stitching a piece for each family member at her passing was incomplete. Guild members finished the remainder. What we learned has been invaluable. Sue liked to change one thing. She would change one colour, for example, white thread on red fabric or blue thread on white fabric. The results were always stunning. She would also change the size or shape. If the piece were square, she’d make it a rectangle. Changing one or two elements can completely alter the look of a project. It’s a great lesson going forward and applies to other projects and life. Helen Crawford loved to stitch. She especially loved cross stitch and mill fabric from Humphrey Textiles, a textile mill in Moncton. The mill plant made fabric of 18-count that was most often used on cubicle wall dividers. When Helen was younger, she could buy a large bag of remnants for five dollars. She stitched everything on this fabric. She made one of everything for each member of her family – pillows, afghans, placemats, wall hangings, bell pulls, coasters, table runners, and ornaments. Anything you can imagine until family members said, “Stitch for yourself, we have enough.” The year before her death, Helen talked about framing the stitched pieces she had finished. I volunteered to help her complete this project. Unfortunately, Helen passed away before we could finish this. Her stash was then passed to her sister, whom I met at the funeral, and we became friends. At the end of 2016, I helped Helen’s sister frame the finished pieces. She then gave one to each of their family members. Even though the family, years before, said, “enough,” being surprised with a final piece by Helen was emotional and meant a great deal as no more will ever be made. Helen’s lesson on stitching is a strong message. You do it because you love it. We put ourselves into what we do, and what we do feeds our souls. Why not fill it with love for those around us and ourselves? In both Susan’s and Helen’s cases, much of their stash was given to our chapter. We sorted through the patterns for future programs. Raw materials were saved for the same purpose. We hosted a tea party in their honour and a stash share, where guild members could come and take any part of the stash home to enjoy. Any remainder was sent to another guild. As part of the Chickadee Chapter of Needle Arts program, we have hosted several projects in their memory. We made Casalguidi pin keeps with Susan’s green fabric. We made flowers on one side and our initials on the other. Susan had white linen that we used to stitch a Schwalm needle case designed by José Hope. We were also able to host an afghan class from Helen’s stash. Our 2021 summer challenge was “hosted” by Helen, making a household item from her fabric supply, using a variety of patterns supplied. Memories are funny. When we miss our friends and family we are often filled with sadness and grief. If we only focus on these thoughts and feelings, we are left in a void of misery. Other times memories give us comfort and joy. Choose what you’ll feel, by choosing where your focus goes. Choose love, fun, and happiness, for yourself. Having stitched pieces with fabric from Susan and Helen is a way to keep them and their memories close. They haven’t really left us. The lessons they taught us and the example they lived are with us. I can hear them when I’m starting a new project. Do I love it? Will I learn something? Can I change one thing that will make it “me”? Most importantly, love what I do and those around me. Life is a full experience waiting for us to embrace. How will you embrace it today?
Free Printable Floral Cards
In 2019, the Board Challenge was to embroider a design suitable for a card for a celebration. Marcella Pedersen of the Regina Stitchery Guild stitched a beautiful bouquet of cards ready for you to add your own greeting or note. In this group of cards, Prairie Lily Blessings was awarded first place in the challenge and Pansy Blessings was awarded third place. Download and print the Flower Blessings note cards, embroidered by Marcella Pedersen.
It’s Time for Some Cards
Spring cards to print!
The Edmonton Needlecraft Guild’s Virtual Spring Fling: A Delightful Way to Spend a Weekend!
Hear about ENG’s Virtual Spring Fling from Patty Hawkins